Daniel Alexander Jones is a tremendous artist. Whether he is channeling Jomama Jones, writing fierce, strange and poetic plays, or creating altar spaces as installation art, Jones brings his capacious, vulnerable, and responsive heart forth as an offering to his lineage and his audience.
The South African choreographer Robyn Orlin mixes culture and politics with the help of the stunning performance artist Albert Silindokuhle Ibokwe Khoza.
In this video, Catherine Cole, Professor of English and Dance, shares her perspective about South African choreographer Robyn Orlin’s work
Take a deeper look at the composers presented by Cuarteto Latinoamericano and the history that shaped their unique musical languages in this creative process conversation between composer Gabriela Ortiz, first violinist Saúl Bitrán, UW professor Anthony Geist and Meany Center Executive and Artistic Director Michelle Witt.
Martha Graham Dance Company’s artistic director Janet Eilber and dancer Natasha Diamond-Walker in conversation with Meany Center Executive and Artistic Director Michelle Witt and David Rahbee (Senior Artist-In-Residence, Director of Orchestras and Chair of Orchestral Conducting at UW), to discuss the collaboration between Martha Graham and Aaron Copland — one of the greatest artistic relationships of all time — and what their partnership teaches us about the interdependence of creative collaboration.
In this Meany On Screen Creative Process Conversation, Meany Center Artistic Director Michelle Witt interviews Ranee Ramaswamy, the Artistic Director of Ragamala Dance Company, and Aparna Ramaswamy, co-director of Ragamala Dance Company, to explore the creative foundations of their new work-in-progress, Fires of Varanasi.
The choreographer Abby Zbikowski brings her raw, genre-bending “Radioactive Practice” to New York Live Arts after a two-year delay.
On their most recent album titled “Momma Exposed,” Seattle-based Haitian American artist Momma Nikki pays tribute to their late father, Jean Bonny Etienne, and the complicated relationship they shared.
Every year on July 21, people in the US territory of Guam commemorate “Liberation Day,” the day in 1944 when American forces invaded the island, retaking it from Japan at the end of World War II. But for the Indigenous people of Guam — or Guåhan in the Chamorro Native language — Liberation Day, with its military parades and solemn speeches, is not a day to celebrate. For Seattle-based dancer and musician Dakota Camacho, Liberation Day is full of contradictions.
After large-scale anti-government protests rocked Cuba this summer, the Cuban state blocked access to WhatsApp, Facebook, and other social networking sites on the island.
It’s a strategy the Cuban government has used for decades.
Enrique “Kiki” Valera, a Cuban musician, composer and engineer born in 1966, knew from a young age that in order to gain access to musical sounds trending outside the communist country, he had to overcome these technological hurdles. His anwer: shortwave radio.
