Eight Hands Make Light Work for Third Coast Percussion
Last year Chicago quartet Third Coast Percussion won their first Grammy: Best Chamber Music/Small Ensemble Performance, for a 2016 album of music by minimalist icon Steve Reich.
Last year Chicago quartet Third Coast Percussion won their first Grammy: Best Chamber Music/Small Ensemble Performance, for a 2016 album of music by minimalist icon Steve Reich.
Azam Ali and Loga Ramin Torkian make up two-thirds of the Persian-Indian music trio Niyaz. Ali, who was born in Iran and moved to India when she was 4, and her husband Torkian, a native Iranian, now live in Los Angeles. They released their second album, Nine Heavens, earlier this year.
Azam Ali is delighted to be in Canada these days. A few months ago, the siren-voiced singer with world-music trio Niyaz left L.A. with her husband, Loga Ramin Torkian, to raise their young son in Montreal, a city they find more congenial to artists of Iranian origin.
Building a bridge between East and West has been the aim of Niyaz since vocalist Azam Ali and her multi-instrumentalist husband, Loga Ramin Torkian, started the electroacoustic outfit in 2004.
The day after Donald Trump was elected, the songwriter Gabriel Kahane decided to go on a listening tour: crisscrossing America by train and talking to as many people as he could. Leaving his cellphone and the internet behind, he spent two weeks and nearly 9,000 miles on Amtrak, collecting conversations and stories for what would become “8980: Book of Travelers,” a song cycle and solo concert — Mr.
On Nov. 9, 2016, I boarded the Lake Shore Limited, Amtrak’s overnight service from New York to Chicago. I had with me a small suitcase stuffed with a week’s worth of clothes, half a dozen books, a bright blue Casio wristwatch, and a cheap digital camera I’d picked up at Best Buy on my way to Penn Station. My phone remained at home.
Gabriel Kahane, a Brooklynite singer-composer who sways between pop and classical worlds, has taken the concept of the concept album to rarefied heights. For his record “The Ambassador,” released in 2014, he created a suite of songs inspired by various buildings in Los Angeles, the title track paying tribute to the venerable hotel where Robert F. Kennedy was shot.
Few artists have had the impact on their disciplines that guitarist Paco de Lucía had in flamenco. He expanded the harmonic vocabulary, incorporated instruments from outside the tradition, and had a curiosity that led him to collaborations with artists as disparate as jazz guitarist John McLaughlin, pianist Chick Corea, and Brazilian pop star Djavan. He opened new vistas to flamenco artists.
The guitarist Paco de Lucía died more than three years ago, leaving behind an immense impact on flamenco music. He expanded what once was a very strict, traditional form by adding jazz and world music influences, and by collaborating with musicians outside of the genre.
In a sense what Paco de Lucía once said about his beloved flamenco music came to pass on October 21, 2017, when, between 8:00pm and 9:30pm The Paco de Lucía Project conjured the blithe spirit of probably the greatest flamenco guitarist of them all, Paco de Lucía himself.